Reception of the values of the Aeschylus drama and mnemonic imprints by ancient tragedy spectators

Background: Ancient Greek tragedy remains today a special dramatic genre that expresses the concept of classic through time, perhaps better than any other form art and culture, representing, as theatrical expression, vision conception expression values particular era. In this context, purpose present research is to study humanitarian European they are expressed in ancient drama, highlight way which these projected modern drama impressed on spectators. Methods: To achieve goal, 105 spectators watched Aeschylus ‘Seven against Thebes’ directed by Cesaris Grauzinis answered, both immediately after watching performance six months later, questionnaire, order record their opinions about theatre had attended. Results: According findings comparative analyses, it emerged messages governing work remain unchanged for its viewers over time. The memory based original audio-visual elements directorial findings, confirming preserves symbolism well channels were conveyed audience. Conclusions: The correspondences between past present, contrasts stage, contributed reproduction fundamental moral brought, highlighting Aeschylus.